Aristotle

Aristotle's Poetics
The earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes:
- Differences in music rhythm, harmony, meter and melody.
- Difference of goodness in the characters.
- Difference in how the narrative is presented: telling a story or acting it out.
1) imitation
2) genres
3)other concepts by which that of truth is applied/revealed in the poesis
His analysis of tragedy constitutes the core of the discussion.Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions".
The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes.
Plato

Along with his teacher, Socrates, and his
most famous student, Aristotle, Plato laid the very foundations of Western
philosophy and science. Alfred North Whitehead once noted: "the safest
general characterization of the European philosophical tradition is that it
consists of a series of footnotes to Plato."In addition to being a foundational
figure for Western science, philosophy, and mathematics, Plato has also often
been cited as one of the founders of Western religion and spirituality,
particularly Christianity, which Friedrich Nietzsche, amongst other scholars,
called "Platonism for the people". Plato's influence on Christian
thought is often thought to be mediated by his major influence on Saint
Augustine of Hippo, one of the most important philosophers and theologians in
the history of Christianity.
Platonic Academy
The Academy
was founded by Plato (428/427 BC – 348/347 BC) in ca.
387 BC in Athens. Aristotle (384 BC – 322 BC) studied there for twenty years
(367 BC – 347 BC) before founding his own school, the Lyceum. The Academy
persisted throughout the Hellenistic period as a skeptical school, until coming
to an end after the death of Philo of Larissa in 83 BC. Although philosophers
continued to teach Plato's philosophy in Athens during the Roman era, it was
not until AD 410 that a revived Academy was established as a center for
Neoplatonism, persisting until 529 AD when it was finally closed by Justinian
I.
The Platonic
Academy has been cited by historians as the first higher learning institution
in the Western world.
Socrates

Mimesis
A critical and philosophical term that carries a wide range of meanings, which include imitation, representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self.In ancient Greece, mimesis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society, and its use has changed and been reinterpreted many times since then.
One of the best-known modern studies of mimesis, understood as a form of realism in literature, is Erich Auerbach's Mimesis: The Representation of Reality in Western Literature, which opens with a famous comparison between the way the world is represented in Homer's Odyssey and the way it appears in the Bible. From these two seminal Western texts, Auerbach builds the foundation for a unified theory of representation that spans the entire history of Western literature, including the Modernist novels being written at the time Auerbach began his study. In art history, "mimesis", "realism" and "naturalism" are used, often interchangeably, as terms for the accurate, even "illusionistic", representation of the visual appearance of things.
沒有留言:
張貼留言